For more details please refer to our "Oil Paintings Reproductions FAQ". Please visit our "Completed Paintings" to see side by side examples of our reproductions next to the originals. Our experienced artists paint in the same way the original paintings were created with visible textures and brush strokes. We do not use prints or computer generated manipulation when creating our paintings, each artwork is painted on a blank canvas from scratch. Our oil paintings are 100% real hand-painted paintings, on real thick canvas with real and finest quality oil paints. Hand painted with oils on canvas after museum original. 60" x 72" (150 x 180 cm) $799 Custom sizes: we can paint any size, contact us for a price quote if your desired size is not listed above. 16 (ill.).Available sizes and prices: size 1. Gorgeous blooms are orange-pink with cream stripes and a yellow. Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. Named after the impressionist painter Alfred Sisley and part of the Painters Collection.Tokyo, Isetan Museum, Alfred Sisley Retrospective, March 2- ApTakamatsu City Art Museum, Kagawa, April 22- Hiroshima Museum of Art, May 27- JThe Museum of Modern Art, Wakayama, July 8- September 10, 2000.no., pl.45, as The Seine of Port Marly, Piles of Sand, 1875. Although he received far less praise than some of his contemporaries, he was one of the key artists who began the French impressionist movement. Washington, DC, Phillips Collection, Impressionists on the Seine: A Celebration of Renoir’s Luncheon of the Boating Party, September 21-February 9, 1997, no cat. Alfred Sisley (OctoJanuary 29, 1899) was a French impressionist painter who straddled British and French national identification. 33, as The Seine at Port-Marly: Heaps of Sand, 1875 Paris, Musée d’Orsay, October 26, 1992-FebruBaltimore, Walters Art Gallery, March 14-‘june 13, 1993. London, Royal Academy of Arts, Alfred Sisley, July 3-October 18, 1992, cat.23 (ill.), as The Seine of Port Marly, Piles of Sand, 1875. Original artwork description: This Autumn Landscape is dedicated to the great French / British impressionist Alfred Sisley and is a replica of his work. Los Angeles, Los Angeles County Museum of Art / Chicago, Art Institute of Chicago / Paris, Galeries Nationales d’Exposition du Grand Palais, A Day in the Country: Impressionism and the French Landscape, June 28 - Septem/ OctoJanu/ February 8 - April 2, 1985, cat.Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27-August 31, 1980, cat.Park Forest, Ill, Exhibition, March 25-April 22, 1956, no cat.The Art Institute of Chicago, A Century in Progress, Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat.Paris, Georges Petit, Exposition d’oeuvres d’Alfred Sisley, May 7-June 1917, cat.614, as La Seine à Port-Marly, 1875, appartient à M. Paris, Exposition Centennale de L’Art Français, 1800-1889, 1900, cat.The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Ryerson Collection Reference Number 1933.1177 IIIF Manifest Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist. (circa) or BCE.ġ875 Medium Oil on canvas Inscriptions Inscribed lower left: Sisley. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status On View, Gallery 201 Department Painting and Sculpture of Europe Artist Alfred Sisley Title The Seine at Port-Marly, Piles of Sand Place France (Artist's nationality:) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Sisley depicted the river during the workweek, along with some of the men who depended on it for their livelihood. Generally, the Impressionists showed the Seine River as a place of weekend leisure for Parisians, painting activities such as boating, yachting, promenading, and dining. Of all the landscapes Alfred Sisley painted in and around Marly-le-Roi, where he lived from 1875 to 1878, this scene of workers dredging sand to facilitate barge traffic is perhaps the most original.
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